So Thursday kicked off the largest gathering of Star Wars fanatics this side of Mos Eisley… Star Wars Celebration. To open the festivities, director J.J. Abrams, and executive producer Kathleen Kennedy hosted a Force Awakens panel complete with the stars of the films, as well as some behind the scenes people. They finally concluded the event with what everyone had been waiting for… the new Star Wars The Force Awakens teaser trailer:
The internets went wild as Twitter feeds flooded with reactions to the two minute tease. The general consensus seems to be overwhelming excitement… My reaction is a little more tempered. While there are certainly some awesome elements, there are quite a few things that concern me. Still I really enjoyed the trailer, but something felt… off at the same time. I decided to give it a few days and watch the trailer a few more dozen times.
There’s Something Familiar About This…
The trailer begins with like the original teaser for The Phantom Menace, in a very quiet long establishing shot, as our hero, Rey traverses the desert of Jakku on a speeder bike through a ship graveyard. It’s a wonderful moment and evokes a very Star Wars otherworldly feel… we fade to black. Unfortunately the rest of the trailer is hampered by a case of living in the past.
In fact, that’s the whole premise of the trailer… to convince older fans that Star Wars is safe again…
and the last thing Star Wars needs to be is safe…
While reflecting on the trailer a good couple of days I’ve come to the conclusion that director JJ Abrams is doing his damndest to convince audiences that his new Star Wars film is fresh, while all the time catering to the nostalgia of older fans, and ultimately fails miserably on the first count. The trailer is little more than a 70s/80s retro fest with nearly shot for shot recreations of the Death Star II exhaust port chase, a recreation of a famous publicity shot, and constant call backs to the Original Trilogy. Originally I was going to do a point by point breakdown of different shots, and I may at a later date, but to summarize, there’s a lot in the trailer I really like, but there’s a disturbing tendency on JJ’s part to play it safe and simply cater to fans, and that’s not what the Saga needs right now. What Star Wars needs is a fresh voice with bold ideas who understands what came before and wants to continue telling stories rooted in myth while approaching it from a new angle.
What particularly disturbed me about the Celebration Force Awakens kick off panel were comments uttered by Abrams himself which really made me question whether or not he even understood what Lucas was trying to accomplish with the entire Star Wars Saga, let alone the Original Trilogy. At one point Abrams regurgitated the Prequel basher talking point that Star Wars is really at its heart, a Western, which of course implies that Lucas really doesn’t get Star Wars at all and the appeal of the franchise. Somehow, Star Wars is a space Western and if Lucas just would have kept Star Wars limited to that box the Prequels wouldn’t have gone off the rails (so the theory goes). This whole mantra of Star Wars as Western source seems to have begun by a group of Lucas bashers who created, what they call, the “4 Star Wars Rules.” Apparently on some level Abrams subscribes to this theory.
While talking about his experiences shooting in the desert of Abu Dhabi he said, “Star Wars is as much Western and fairy tale as it is anything else. One of the things you expect and want to see is these tangible, beautiful John Ford landscapes…” A nice sentiment JJ, but you are simply talking out of your butt. Any first year film student will tell you the “John Ford look” is all about Monument Valley found at the border of Arizona and Utah. Monument Valley is an area dominated by sandstone buttes and mesas… not rolling endless sand dunes. I suppose you could argue he’s talking about the sequences in the valleys of the Jundland Wastes, but that seems a stretch as most people think desert planet when they hear the word Tatooine. In fact there’s very little in the way of John Ford to be found in A New Hope, but there’s a lot of it found in Attack of the Clones. Instead what Lucas did in A New Hope is adopt a very David Lean look from Lawrence of Arabia to inform the visuals of the desert planet. With a big, endless desert framing most of his shots. However, Lucas clearly channels his inner John Ford in Attack of the Clones:
(NOTE: Thanks to Mike Klimo of Star Wars Ring Theory for recently posting these screengrabs on his Twitter feed. They’ve been very illuminating)
Even the plot of A New Hope has almost nothing to do the Western genre. Sure there are elements of the American Western sprinkled throughout; Han is certainly a space cowboy, Mos Eisley, and especially the cantina have a very Western frontier town feel to them, but they are just elements of the whole. A New Hope, like Star Wars in general is an amalgam, a pastiche of the influences of Lucas’ youth and interests as a filmmaker, borrowing heavily from sources such as Flash Gordon, Tolkien, Greek myth, Japanese cinema, Medieval adventure tales, layering it all with a spiritual element gleaned from the world’s major religions. A New Hope has far more in common with Flash Gordon serials (which Lucas originally wanted to adapt) than a Western, and the plot borrows liberally from Akira Kurosawa’s classic samurai film, The Hidden Fortress.
Abrams failure to grasp this raises a whole lot of concerns on my part. I’m just not sure he really understands the mythology and legacy behind Star Wars. He certainly understands his feelings of Star Wars as a child, and how that impacted him as a youth, but there’s so much more to the Saga than one’s childhood memories and fantasies. That’s a large reason that while on the one hand I enjoy the trailer immensely, on the other I worry that The Force Awakens will be little more than a nostalgia fest; something Abrams is intimately familiar with.
For a lot of fans, the final shot of Han & Chewie aboard the Millennium Falcon was the “money shot” and sent them over the moon as fanboy/fangirl chills ran up their spines. The waves of nostalgia washed over them and they were filled with a sense of awe as their dreams were finally realized… George no longer had his hands in the Saga, all of their wildest Star Wars dreams could be realized. For a brief moment I was even hit with a feeling of being that child who grew up with Star Wars back in 1977, waiting anxiously for the next installment and contenting myself with reading another issue of Marvel’s Star Wars in the meantime. It was a wonderful moment, but as soon as the screen faded to black I realized that something about it felt very off to me. I pondered about that shot for a good chunk of time until I realized I had seen all of this before… because I had a poster of it on my wall.
JJ was up to his old tricks… The shot is nothing more than a recreation of that iconic poster, and while it’s a nice nod it really speaks volumes about one of Abrams’ biggest weaknesses, and accentuates a growing concern I’ve had for months.
You see, one of the biggest knocks on Abrams has always been his lack of creativity as a filmmaker. He’s always been involved in projects that on some level are derivative of other works. Three of his past four motion pictures have been sequels of franchises, with the one exception, Super 8, being a complete knock off of a 1980’s Steven Spielberg film. Even the TV series he’s produced have borrowed liberally from other works. One of my favorite shows he produced, Alias, is nothing more than one part The Girl From U.N.C.L.E., one part X-Files, with a heavy dose of Dan Brown mythology. When you look at the totality of his work there is really nothing there that screams “visionary,” or even suggests an artist who really has the ability to oversee the relaunch of a massive franchise… just look at his very hit and miss results with Star Trek.
Ultimately, his lack of his own creativity is his downfall as a filmmaker. While Lucas could take all of these wildly divergent elements from myth, pop culture, and religion and massage it into it’s own self contained universe which felt original yet familiar. Abrams, on the other hand, has shown no such ability as an filmmaker. His work routinely feels like a homage to another artist’s work, or a series of ideas slapped together in an effort to feel original, but wind up coming across as derivative. This trailer does nothing but reinforce that point as there is no original substance to be found. The one thing I can say about Lucas was he had an ability to tease you with new locales, strange aliens, and situations in each of the five teaser trailers that followed A New Hope. Whether it’s battles in the snow, the forest, a high speed race through the deserts of Tatooine, raging storms over a water planet, or a deadly lightsaber duel on an erupting volcano, Lucas was always able to tantalize with new ideas. JJ’s tease is little more than a complete rehash of the Original Trilogy with a new young trio surrounded by visuals and designs that are all comfortable and familiar.
And that leads to my biggest gripe and concern… I’m not convinced this film will be terribly original, and will in fact be little more than a soft reboot of the Saga, allowing Disney to distance itself from George’s Saga, and move forward, and frankly Disney has found the perfect guy for THAT job. While Abrams talks a lot about “moving the Saga forward” I’m not so certain with this trailer that Lucasfilm is really going to attract interest from young audiences. The trailer really caters to older Star Wars fans, and if you are a young person who is not already invested in Star Wars there’s little in this trailer to suggest something new or fresh about the Saga.
We’re Going Back… To The Past!!!
There was an alarming exchange midway through the panel in which Katleen Kennedy seemed to suggest that fans reaction is a very important part of the storytelling process. Of course she added the caveat that Lucasfilm will still tell the stories it wants, but there certainly was a not so subtle subtext running throughout her comments that said, “We’ve heard your cries.” Well sorry, but fanboys should have pretty much no say so in the future of Star Wars. Many of these “fans” are the same Lucas bashers who wanted boderline evil Anakin betraying the Jedi and exterminating them in a three arc story, forgetting the wise words of George, “…a monster becoming a monster isn’t a story.” Storytelling by committee, and more importantly, by consensus is not art, it’s just catering to the mob. It seems pretty safe to say that JJ’s mandate is to push every fanboy button, and weave a very safe Star Wars film which takes little to no risk, all in the hopes of avoiding controversy. He will cater to their every whim; in fact JJ appears to be all in…
During his Force Awakens panel Abrams once again began to engage in Star Wars historical revisionism found among Prequel/Lucas bashers suggesting that his films were going to be more “tangible” and “real” because they built sets for the actors to interact with. Of course this is meant to imply that George moved away from this tradition and simply shot all of his films on digital stages in front of green screens. Of course this completely ignores the dozens of sets and locations used for the filming of the Prequel Trilogy. Lucas too desired a tangible look for his films, however he had to go another course. Instead of dealing with a galaxy in the middle of a war he was examining a Republic in a state of decline, that is ultimately pushed over the ledge by Palpatine. So on the one hand the universe had to be shiny, a little less used looking, while on the other hand still staying true to the rules he established in the universe. I think he did a pretty darn good job:
As you can clearly see these are real sets, designed and constructed by a group of talented artists who took weeks, and months to develop designs which could tell the story Lucas was trying to tell. Each one of the Prequel films is filled with beautiful sets and locations, certainly enhanced with special effects, but if you don’t believe JJ will be incorporating the same techniques, I’ve got some lovely beach front property in Yuma I can sell you. However, what really grinds my gears is that JJ is so willing to cavalierly dismiss the work on those films, all for the benefit of throwing around a few buzzwords that get fanboy hearts aflutter.
I used to work as an intelligence analyst back in the day with a focus on international politics… so words are really, really important to me, and what’s left unsaid, or implied by the words you are using is as important as what you actually say, or what you meant to say. During one portion of the interview section of the show JJ states that the mandate he had was to “set a standard” and that everything had to feel real. That’s a good enough sentiment, but then he takes it a step further; unnecessarily so: “You knew people were in those places. The way the light interacts with the set. You want it to be legitimate, and authentic.” Abrams is clearly separating himself from Lucas here, and is making it clear, although unstated, that he’s going to make a movie for older Star Wars fans who felt burned by the Prequels. To make matters worse he’s actually implying through his words that what George did in Episodes I-III was “inauthentic” and “illegitimate.” As if Lucas totally dismissed the use of practical sets and locations. I think as I’ve shown in the pictures above that was certainly not the case with the Prequels.
Also understated in the Force Awakens panel was any mention of Lucas, or even a hint of his involvement in the production. I think George’s name came up a whopping two times in the entire panel, despite the fact Lucas created this large sandbox that all of these people are playing in now. I’m really beginning to suspect that George’s statements from January that Disney had jettisoned his treatments for the Sequel Trilogy and were doing their own thing is true. Early on we were told Lucas and Abrams were meeting regularly, and Lucas’ son even suggested that George and JJ were texting daily. Then Star Wars scribe Michael Arndt, who was writing scripts based on George’s treatments was let go, and then Disney Studios honcho Alan Horn implied in a Q&A that he wasn’t aware of Lucas’ involvement in the project any more. That would certainly explain why Lucas is even barely given a mention at Celebration; even Lucas’ good friend Kathleen Kennedy only mentioned his name in passing while recounting how she became head of Lucasfilm.
Frankly, this troubles me a great deal. Much has been made of Abrams ability to weave a mythology in his television shows like Alias and Lost, but in the case of both shows, that mythology became a muddled mess as the shows wore on. Both shows did not find their footing again until AFTER Abrams had left the productions. Add to that his inability to understand the roots of the mythology behind the Star Wars Saga, and there is cause for concern. So excuse me if I have a lot more faith in the guy who actually created the universe, than a sometimes very talented filmmaker (Super 8) who is often prone to make materials that are devoid of real depth and miss the point of the source material (Star Trek Into Darkness).
Again, to be clear, I did enjoy the trailer, with certain reservations. My biggest concerns are not necessarily with the content of the trailer itself, but with Abrams’ apparent inability to grasp the magnitude of the depth of story telling that Lucas presented in his six part Saga. For all of Abrams’ talk of wanting to move the Saga “forward” for “a new generation,” this trailer seemed needlessly mired in the past, and shows little in the way of anything new or fresh. The trailer seems to be catered to a certain subset of fans who are still bitter at George Lucas for not giving them a Prequel Trilogy that had been brewing in their minds for nearly 20 years. Ultimately it feels like a trailer by put together by a marketing group:
Star Destroyer… check
Millennium Falcon in a fight… check
I really want The Force Awakens to be a film that launches fandom for a whole new generation of fans, but from what I’ve seen it looks like I’m stuck in a 1980’s time warp.